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Here’s what Jackie Robinson had to say about the national anthem

ROBINSON SALKELD CONLAN

FILE - This Aug. 22, 1948 file photo shows Brooklyn Dodgers Jackie Robinson, right, stealing home plate as Boston Braves’ catcher Bill Salkeld is thrown off-balance on the throw to the plate during the fifth inning at Ebbets Field in New York. The ghosts of Dodgertown are everywhere. Along the narrow roads winding through the complex, named after Jackie Robinson, Pee Wee Reese and other Dodger greats. On the deck of the swimming pool, where the players relaxed and bonded once their work was done each day. (AP Photo/File)

AP

For a lot of people, athletes expressing their political viewpoints by protesting the national anthem is a relatively new concept. But the more things change, the more they stay the same.

Jackie Robinson is celebrated every year across baseball on April 15, marking the day he broke the color barrier with the Brooklyn Dodgers in 1947. Robinson was an activist well beyond that momentous occasion, highlighting issues black athletes face as editor for Our Sports magazine. He openly criticized then-GM of the Yankees George Weiss on television for the lack of diversity on his team. He helped spur restaurants and hotels to serve black people by criticizing their segregation publicly. Robinson became the first black vice president of an American corporation when he joined coffee company Chock full o’Nuts, and he became the first black baseball analyst when he joined ABC’s Major League Baseball Game of the Week. Of course, Robinson was also the first black member of baseball’s Hall of Fame.

Robinson had an issue with the national anthem as well. As Deadspin’s Lindsey Adler pointed out, Robinson wrote about the anthem in his memoir, I Never Had It Made.

There I was the black grandson of a slave, the son of a black sharecropper, part of a historic occasion, a symbolic hero to my people. The air was sparkling. The sunlight was warm. The band struck up the national anthem. The flag billowed in the wind. It should have been a glorious moment for me as the stirring words of the national anthem poured from the stands. Perhaps it was, but then again perhaps the anthem could be called the theme song for a drama called The Noble Experiment. Today as I look back on that opening game of my first world series, I must tell you that it was Mr. Rickey’s drama and that I was only a principal actor. As I write this twenty years later, I cannot stand and sing the anthem. I cannot salute the flag; I know that I am a black man in a white world. In 1972, in 1947, at my birth in 1919, I know that I never had it made.

Robinson is referring to systemic power that has entrenched whiteness and ostracized blackness. Robinson may have ascended as one of the greatest players of all time and he may have broken the color barrier, but the league was still owned and run entirely by white people, which is what he meant by referring to himself as a “principal actor” in Branch Rickey’s “drama.” Rickey was the white executive who signed Robinson and supported him as the color barrier was broken. Robinson could not have done what he did without the aid of white people like Rickey who have the ability to leverage their systemic power.

Without question, Robinson would have supported the protests of Colin Kaepernick and many others who want to bring attention to the unfair ways in which black people interact with the police and the justice system. And it makes one realize that the people who purport to admire Robinson and his many accomplishments would have said the same things they say about Kapernick et. al. now to Robinson back in 1947. And to Muhammad Ali. And to John Carlos and Tommie Smith. The more things change, the more they stay the same.

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